About

His work explores those fleeting moments when something slips away: a gaze held for too long, a suspended gesture, a presence that seems to drift just beyond reality. He enjoys bending perception, unsettling familiar landmarks and playing with reality in order to reveal a more sensitive and ambiguous reading of it.

Accident becomes a driving force, imbalance a form of accuracy.

Through photography and film, he seeks less to control than to allow instinctive, and sometimes uncomfortable emotions to emerge — images that linger rather than impose themselves. This approach also extends to his art direction work, when an image needs to be shaped before production.

Since 2017, he has been building a visual universe where time feels stretched, replayed through a shifted perception. His images oscillate between the ordinary and the uncanny, apparent softness and silent tension, opening a sensitive space where reality subtly begins to unravel.

Freed from fixed representations, he also develops an inclusive approach to image-making, attentive to identities, bodies and narratives. His work aims to create freer spaces of visibility, where images no longer seek merely to please, but to make people feel.